Talaksan:Blaas Eugene de The Serenade 1910 Oil On Canvas.jpg

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Eugene de Blaas: The Serenade  wikidata:Q111190500 reasonator:Q111190500
Artista
Eugene de Blaas  (1843–1931)  wikidata:Q715036
 
Eugene de Blaas
Panghaliling mga pangalan
Eugen de Blaas, Eugene de Blaas, Eugene von Blaas, Eugenio de Blaas
Paglalarawan Italian pintor
Petsa ng kapanganakan/kamatayan 24 Hulyo 1843 Baguhin ito sa Wikidata 10 Pebrero 1931 Baguhin ito sa Wikidata
Lugar ng kapanganakan/kamatayan Albano near Roma Venezia
Panahon ng paghahanap-buhay 1863-
Lugar ng hanap-buhay
Kontrol sa awtoridad
artist QS:P170,Q715036
image of artwork listed in title parameter on this page
Pamagat
The Serenade
label QS:Len,"The Serenade"
Object type painting
object_type QS:P31,Q3305213
Depicted place Venice
Petsa 1910
date QS:P571,+1910-00-00T00:00:00Z/9
Midyum oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Sukat height: 95.3 cm; width: 111.8 cm
dimensions QS:P2048,95.3U174728
dimensions QS:P2049,111.8U174728
Private collection Peter V. Guarisco
institution QS:P195,Q768717
Mga inskripsiyon

Signature at petsa :

Eug de Blaas / 1910

date cropped from this image
Talasanggunian

19th Century Paintings Lot 50: The Serenade (CATALOGUE NOTE). Sotheby's, New York (24 Oktubre 2006). Retrieved on 6 Disyembre 2018. "Eugen von Blaas’ lively scenes of the working class women of Venice present some of that city’s’ most carefree and pleasant citizens at ease with themselves, and in harmony with their own surroundings. The four paintings by von Blaas from the Peter V. Guarisco Collection each share a different aspect of the artist’s favorite subject, and showcase his prodigious talent for capturing his sitters in vivid detail. Whether engaged in the fulfilling task of teaching an eager young pupil to knit (see lot 55) or pausing from a taxing chore such as washing linens (see lot 51), von Blaas’ women combine their innate strength and character with the impetuous, romantic impulses of the young and beautiful. In Daydreaming by the Shore (lot 54), we see a wistful maiden staring off to sea. She is not burdened by her heavy baskets of goods (which contain chickens, and apples) but rather rests her chin upon the yoke, balancing the symbol of her daily labor against her thoughtful pose. These are not the fair damsels of Frédéric Soulacroix (see lots 115, and 116), swathed in silk and with few worldly cares beyond the gossip of the day and the attentions of ardent suitors. Still, von Blaas allowed his viewer to glimpse his beautiful maidens during their most introspective moments.

In the present lot, Serenade, we catch a glimpse of the iconic skyline of Venice, a very rare sight in the works of von Blaas, who preferred to paint the ancient city's humbler sights: her cobblestone streets, crumbling fountains and shallow doorways. The Campanile and Piazza San Marco seem to shimmer as in a dream among the cool, light-toned bands that make up the horizon line. The eye is drawn to the brightly clothed women, who are the audience of the serenade, and their thoughtful, slightly melancholic expressions hint at their relationship to the water beyond them. As the maidens on the right work to mend an enormous net, the viewer cannot help but wonder to what distant spot the fishermen have sailed, and whether they will return safely with the riches of the sea, or empty handed.

The attention devoted to depicting the color-dabbed corsets, floral aprons, scraps of laundry, twisted neckerchiefs, and even the enormous fishing net, mounded in the foreground, illustrates von Blaas’ interest in capturing the smallest details with maximum impact and clarity, elevating each scene beyond the every day. His charming and intimate works are known for their brilliant still life renderings, and their sense of exuberance; the works from the Peter V. Guarisco collection certainly showcase the artist’s virtuosity. But whatever narrative he chooses for his captivating subjects, one thing is certain: the women painted by von Blaas are never helpless or merely decorative. They are woven into the fabric of that most dynamic and teeming of cities: Venice." Full image (with date under bottom right signature).
Pinagmulan/Litratista Art Renewal Center

Paglilisensiya

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1931, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 80 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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