Talaksan:Bellotto, Bernardo - Veduta di Gazzada.jpg

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Bernardo Bellotto: View of Gazzada near Varese  wikidata:Q19681664 reasonator:Q19681664
Artista
Bernardo Bellotto  (1722–1780)  wikidata:Q164688
 
Bernardo Bellotto
Paglalarawan Italian landscape painter, printmaker at etcher
Petsa ng kapanganakan/kamatayan 20 Mayo 1722 Baguhin ito sa Wikidata 17 Nobyembre 1780 Baguhin ito sa Wikidata
Lugar ng kapanganakan/kamatayan Venezia Baguhin ito sa Wikidata Warsaw Baguhin ito sa Wikidata
Lugar ng hanap-buhay
Roma (1742–1744), Dresde (1747–1758), Viena (1758–1761), Dresde (1761–1764), Warsaw (1764–1780)
Kontrol sa awtoridad
creator QS:P170,Q164688
 Baguhin ito sa Wikidata
image of artwork listed in title parameter on this page
Pamagat
View of Gazzada near Varese
label QS:Lit,"Veduta di Gazzada"
label QS:Lfr,"Vue de Gazzada près de Varese"
label QS:Lpl,"Widok Gazzady w okolicy Varese"
label QS:Luk,"Вид Гадзади"
label QS:Lru,"Вид Гадзады"
label QS:Lde,"Blick auf Gazzada bei Varese"
label QS:Len,"View of Gazzada near Varese"
label QS:Lhy,"Գաձադայի տեսարան"
Object type painting Baguhin ito sa Wikidata
RTVE landscape painting Baguhin ito sa Wikidata
Paglalarawan

The two canvases were acquired for Brera from the antique dealer Alessandro Brison. Painted during Bellotto’s journey to Lombardy in 1744, they constitute one of the highest achievements of Europe an landscape painting, while at the same time representing a move in a new direction thanks to the naturalness of the representation and its adherence to reality: unlike the traditional vedute of Canaletto, which immersed Venice in a brilliant and timeless light, Bellotto’s canvases depict a precise moment of the day, investigating both its colors and the peculiar effects of its light and thereby opening the door to the evolution of the genre in the 19th century.

Ever since they entered the Pinacoteca it was thought that they were linked to the villa of the Melzi family, and that the canvases had been commissioned by Antonio Maria Melzi, owner of the villa at Vaprio d’Adda – also painted by the artist – and a prominent figure in Milan under Austrian rule. In reality, recent research has revealed that it was not until 1838 that the Melzi became the owners of the building represented here, which at the time of Bellotto’s visit belonged to the noblemen Gabrio and Giuseppe Perabò from Varese, who held prestigious posts in the administration of the city and above all had friendly relations with Cardinal Giuseppe Pozzobonelli, a knowledgeable collector who became bishop of Milan in 1744.
Petsa 1744 Baguhin ito sa Wikidata
Midyum oil on canvas Baguhin ito sa Wikidata
Sukat height: 84.5 cm Baguhin ito sa Wikidata; width: 98.5 cm Baguhin ito sa Wikidata
dimensions QS:P2048,+84.5U174728
dimensions QS:P2049,+98.5U174728
institution QS:P195,Q150066
Bilang sa pagtatamo
Talasanggunian
Pinagmulan/Litratista https://pinacotecabrera.org/collezione-online/opere/veduta-di-gazzada-2/
Permiso
(Muling paggamit sa file)
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

Nakilala ang talaksan bilang malaya mula sa nalalamang mga paghahangga sa ilalim ng batas sa karapatang-ari, kasama ang lahat ng mga kaugnay at karatig na mga karapatan.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.
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ngayon03:55, 18 Nobyembre 2021Thumbnail para sa bersyon noong 03:55, 18 Nobyembre 20213,763 × 2,401 (2.42 MB)Oursana== {{int:filedesc}} == {{Artwork |wikidata = Q19681664 |description = {{en|1=The two canvases were acquired for Brera from the antique dealer Alessandro Brison. Painted during Bellotto’s journey to Lombardy in 1744, they constitute one of the highest achievements of Europe an landscape painting, while at the same time representing a move in a new direction thanks to the naturalness of the representation and its adherence to reality: unlike the traditional vedute of Canaletto, which im...

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